Bold signature in black felt tip ink on a 5×3 white index card.  Fine condition, with annotations along the bottom edge; and very faint toning that does not significantly detract from overall appearance.  The Oscar-winning director of A Streetcar Names Desire (1951), On the Waterfront (1954), and East of Eden (1955) was also the target of decades-long vitriol following his appearance before the House Un-American Activities Committee in which he divulged the names of Communist sympathizers within the film industry.